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Toronto, Ontario, Canada |
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Simon Leigh |
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Never A Still Moment
Simon Leigh is an Australian born writer and activist living in Canada. He suggests he was educated way beyond his intelligence at Sydney University, Oxford and The University of New Brunswick. He collected degrees in ‘this and that’ at Sydney University, Oxford (on scholarship) and The University of New Brunswick. His list of theses includes ‘Unconscious Motivation’; ‘Concept-Formation in Schizophrenia’, and ‘The Willing Victim: Character and Technique in the work of Jean Rhys’. He is now retired but taught University and College English for more than twenty years. My poems and stories have appeared in Grain, The Bulletin (Australia); Equinox; The Fiddlehead; Mainline; Orphic Lute; Quarry; Ski Australia; Poetry Australia; Scarp: New Arts and Writing (Australia); The Grist Mill; the Antigonish Review; Parchment: Contemporary Canadian Jewish Writing; The Review of Contemporary Poetry; Gold Dust 2007 Calendar; Rhyme and Reason: Modern Formal Poetry; Sage of Consciousness, Sorrowland Press; Island Dreams (2005) and the anthology These Loved These Hated Lands.
His improbable memoir Wild Women (UKA Press, 2005/7), set in Fredericton, has been praised by Paul Quarrington as, “A well-written, witty, ribald and rollicking journey into the dark ways of men and women,” in the U.K. by Miles Kington, and in the U.S.A. by PODGIRL who wrote, “Leigh is a master of voice and this novel should be required reading in creative writing classes.” He writes, “I’m now 30,000 words into Death in Venice II, the sequel to Wild Women. If you can guess the 6 (there’s only 6) lies in Wild Women you can win YOUR NAME in its sequel.” Among his many other accomplishments he has been a reader for the Writers Union of Canada's Short Prose competition. Strongly preferring to avoid monotonous work, he has been gainfully employed as an advertising researcher, psychologist, consultant, racing driver and instructor, university and college professor, labourer, professional actor and modern dancer, fourth trumpet in a big dance band—and, the whole time, he was a writer. Simon was the 1st Place winner for Fiction in the Winter 2007 issue of Big Pond Rumour, The Zine. We thank him for serving as our Fiction Judge for the Summer 2007 issue. |
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Tadeus Rosewicz at Festival Hall
The little Polish poet stands telling us of children going down down in the dark the bales of cut hair But Daddy I've been good Many of us are crying I'm worried if too many cry someone may get angry and start shooting
The Trouble with Canada
A tolerant society Even tolerates Intolerance Which soon becomes intolerable.
Cellphone Hell
You volunteers for cellphone hell believe this small device will free you to nap in the pub where the Boss can’t see you snapping to attention at the sound of the bell.
But those ads deceive. Your crafty plan means at lunchtime, over coffee you’re still at work! Even home in your bathtub you’ll obediently jerk to attention, stand dripping, obeying the Man.
So instead of expanding your hours of leisure you’re now at the office every night and day, You’ve given your privacy away and your ring tone haunts every former pleasure. |
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The Triumph of Words over Music
Once upon a more skilful time Lived poets who spoke in fluent rhyme (And later there were quite a few Who could write words and music too) But soon the more impatient bard Found rhyme and rhythm far too hard So, as his thoughts grew vague or worse He generated half-rhymed verse To three guitar chords: total crap But white kids bought his gangsta rap. So drop the melody, sample drums And something dreadlocked this way comes That makes the oldies clench in rage As loud complaining hits the stage.
A Cure For Religion
There must be a cure for religion Though I really don’t know what it is. I pray to my God for an answer But He says it’s my problem, not His. |







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A member since March 2007.
All text © Simon Leigh All rights reserved. No part may be reproduced without written permission from Simon Leigh. |
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Forthcoming:
Death in Venice II. (novel; a sequel to Wild Women)
Books:
Short Strokes. (poetry, 2006)
Wild Women. (2005, novel) UKA Press. United Kingdom.
Metamorphosis II. (2005) RS Publishing, Newcastle, Australia.
The Bleeding Clock. (Fiddlehead Press, Canada)
Dying Flowers. (Fiddlehead Press, Canada)
Find Wild Women here on Amazon.com or here on BestBookPrice (U.K.) |

